THE voice of an intellectual COMMUNIST Wenceslao Roces, Professor of Roman law of the University of Salamanca, and without doubt one of the best in their specialty in the Spain of the thirty, Assistant Secretary of public instruction during the war, makes the translation at least in one part of his years of exile in Mexico, the main activity of your life. Doctor rubbing distinguished himself in Mexico by two things – we said the Mexican Professor Medina – Ortega: for his commitment to the University, and by his magnificent translations from German, English, French, Russian and other modern languages. True to his Marxist creed, was not it limited, like other intellectuals, to interpret the world but that it wanted to transform it. The jurist, politician and translator Wenceslao Roces Suarez was born in Soto of Sobrescobio, Asturias, on February 3, 1897 and He died in Mexico on March 28, 1992.

Still child moved with his family to Gijon, where he made his secondary studies. After studying the career of laws in the University of Oviedo, obtaining the extraordinary degree Prize in 1919, the next year wins the extraordinary doctoral award, to give reading at the Central University of Madrid of his thesis, the unforeseen circumstances in the law of obligations. Get a grant from the Junta de Ampliacion de Estudios, and travelled to Germany to expand your knowledge of philosophy of law, with Stamnler, acquiring a solid formation. In 1922 he obtained the Chair of Roman law of the University of Salamanca. His solidarity with Unamuno, exiled by General Primo de Rivera, takes you to lose the Chair that will not recover until the proclamation of the Republic. Contributor to the journal of private law and the student.

He had never before had the opportunity to know New York, and my invention is not only bore you with details of my personal life, in this post I will focus to music. New York has a musical tradition that not only covers their famous clubs of jazz or that anthem of New York, New York, later popularized by the elegant voice of Frank Sinatra. It can be said that rock sneaks between its streets during the Decade of the sixties, thanks to the enthusiasm of the then artist emblematic of the island, Andy Warhol, who sponsored the project of John Cale and Lou Reed, little digestible for the era, but inspiration for the future bands. Velvet Underground experimented with noise and their dirty guitars, a sound that have inherited New York stars like Sonic Youth and more recently the Strokes idols of our heroes. Although many years ago, at the end of the 1970s, already had encouraged inexperienced youngsters to invent your own rock: punk.

It was in the CBGB, a relegated enclosure of the city, where paraded promises as Talking Heads and the Ramones, heroes of that boring generation who then waved a new attitude. In fact, that punk still breathes mutating with the current local proposals of Interpol or even TV on the Radio, Software risk management. Outside of Manhattan, in the popular neighborhoods of the Bronx, the African-American community developed since the sixties hip hop, own art movement that crossed the borders of the United States until the end of the 1980s, first subversive and censored, although nowadays too glamorous. Metropolis full of corners which feed the hunger for music lover, breeding ground for authorities of music like Kiss, Beastie Boys, Moby and The Rapture to mention only a few, and l ready continues. Original author and source of the article.