We believe that when we talk about scales and chords we are talking about two things or two different parts, as wrong. Harmonically is exactly the same, and our brains would work better if we combine this concept because it would remember better. We can say that the chords out of the scales or vice versa, the study of jazz scales are believed to leave the line because the line is formed by triads such as: when you touch a chord either, what a does is play the 1st, 3rd and 5th note of a scale not true? so be on guitar or piano, this would be the basic chord. In this line we can define the species of the same, whether major, minor, diminished I altered. But why just put up the 5th triad? what if we would continue with the Triads: 1st, 3rd, 5th, 7th, 9th, 11na, 13na, we say that when we add triads from the 5th are consistent with stress, although the basic jazz chord is 4 notes ie reaches the 7th, so if we study a chord that reaches the 13na, we note we are really seeing the scale of that chord at intervals of triads, because the 9th is the same note as the 2nd, the 11th is the same note as the 4th and 13na is the same note as the 6th, in the end we are left replacing the stress level 9th, 11na and 13na for the 2nd, 4th and 6th. Hence the scale out of keeping with its triads to 13na. The study tells us that harmony, every chord is a scale and each scale is a chord, we are always talking about it, when you touch a chord, it has its corresponding scale, and when you touch a scale, it has its corresponding chord, so to not separate scale and chord as the only difference is in execution.



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